He told an NME interviewer his LP was better than The Beatles’ “Sgt. A sensationally gifted songwriter and performer, D’Arby, who now goes by Sananda Francesco Maitreya, painted a bulls-eye on his back while his debut album, “Introducing the Hardline According to Terence Trent D’Arby," rocketed up the charts. The tragedy of Terence Trent D’Arby’s career was Terence Trent D’Arby. As for Miller, HBO canceled his show the same year, and he inexplicably decided to never be funny again. ABC embraced the Miller controversy at first, going so far as to run an annotated postgame recap of his comments, but John Madden’s exodus from Fox in 2002 gave it an out, and the network enthusiastically took it. He didn’t need a bigger platform, but if one of television’s most durable franchises, “Monday Night Football, was offering…why not? Miller stifled his political opinions (which were antagonistic to both parties depending on the issue) but did not cut back on the obscure cultural allusions, which pıssed off the same anti-intellectual viewers who loathed Howard Cosell’s heightened vocabulary and those who didn’t want some gridiron dilettante mucking up the flow of the game. He’s in the conversation for greatest Weekend Update anchor and hosted the enjoyable “Dennis Miller Live” on HBO for eight years. He was irreverent, profane, and quick with arcane references that flaunted his erudition. Jackson’s role in “Die Hard with a Vengeance." He became a pop-cultural icon thanks to his turn as Morpheus in “The Matrix," but it’s hard not to consider what might’ve been had he gone against his agents’ wishes.ĭear Millennials and Gen Z-ers, there was a time - a long time, in fact - when Dennis Miller was one of the funniest standup comedians on the planet. So he passed and starred in the largely forgotten action-thriller “Bad Company." According to Quentin Tarantino, this decision also cost him Samuel L. It might be a great part, but he’d be sharing the screen with a then washed-up John Travolta. So when a juicy part in a bizarre ensemble flick called “Pulp Fiction” hit his reps’ desks, they told him to turn it down. Laurence Fishburne had more than proved himself throughout the 1980s with exceptional performances in “The Cotton Club," “School Daze” and “Gardens of Stone." After his blazingly brilliant turn in “King of New York," he landed the role that changed his career: Ike Turner opposite Angela Bassett’s Tina Turner in “What’s Love Got to Do with It." Career-wise, it was go time, and Fishburne deservedly wanted to be a leading man. Seven years later, a humbled Caruso returned to television as the star of the terrible but popular “CSI: Miami." It all eventually worked out, but it didn’t have to be such a hard road (and there might’ve been an Emmy in it for Caruso had he stuck with “NYPD Blue”). Had he held on, he might’ve become one of the highest-paid actors on television instead, he bolted the show to take $1 million for the starring role in Barbet Schroeder’s remake of “Kiss of Death” and (reportedly) $2 million to $3 million for the co-lead (alongside Linda Fiorentino) in William Friedkin’s “Jade." Both films bombed, effectively ending Caruso’s bid for stardom. “An Officer and a Gentleman," “First Blood," “King of New York”) before breaking through in the fall of 1993 as the star of Steven Bochco’s edgy new cop drama, “NYPD Blue." The show’s destiny was clearly ensemble, but Caruso was the first season’s hunky hook, which, to his mind, meant he was due a raise for the second season. The red-haired David Caruso plugged away for a solid decade as a character actor in a string of mostly good to great movies (e.g.
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